There are so many options when it comes to travel. So, where to go in February during white week? Settimana Bianca is an unofficial Italian holiday, a week off to go skiing. This was quite familiar to us since our schools in California take off the week of President's day for ski week. My Girl's school here has the same idea. Many of the American parents work for the embassy and get the Monday off so the school takes that week for ski week.
My Boy's school doesn't pay attention to American holidays so he was at home and in school. Instead of ski week, they have spring trips. This year he is going to Morocco. I think this is the perfect time of year for that trip. He had a fantastic time and loved the food and the slow pace of the trip.
My Girl and I decided on a short trip to Florence. She wanted some days to just rest and relax. School is busy with long bus rides, sports before or after school and on the weekends, all on top of homework. We got lucky with good February weather, clouds, but no rain. We visited churches and ate good food that was not Roman food. Italian food is so incredibly regional! You might be able to find carbonara in Florence, but it is a sure sign of a touristy place. I've never even seen them try pesto in Rome. It is strictly Genovese.
We visited the
Duomo, the magnificent cathedral in the Medieval center of town. The exterior is spectacular and ornate while the interior is pretty plain, partly because the ornamentation has been moved to the museum of the Duomo just behind the church. Also because of years of reworking the interior based on the styles of the time and the influence of people such as Girolamo Savonarola.
Savonarola was an ascetic Dominican monk who was very influential politically and culturally in Florence during the later part of the 15th century. He opposed ornamentation in churches and called for reform in the Catholic church. Some have called him a proto-protestant. He opposed the ruling
Medici family and was partly responsible for their fall from power in 1494. This time of the Florentine republic was temporary. The Medici family returned to power less than 20 years later. Savonarola preached against any type of luxury, culminating in the
bonfire of the vanities on Shrove Tuesday (Mardi Gras) of 1497 where supporters burned their luxury goods including clothing, cosmetics, playing cards, musical instruments, art, and books. He was eventually excommunicated and hanged for heresy and sedition.
Facade detail
Interior fresco
Equestrian Monument di Niccolo da Torentino by Andrea del Castagno
(Cool hat and horse)
Dome interior
The Last Judgement by Giorgio Vasari
The first stones for the new cathedral were laid in 1294. This covered an earlier 5th century church on the same site. You can visit what is left of the old church below the Duomo. There are beautiful mosaic floors that undulate in a way that is a bit disorienting if you were to walk on them. Thankfully there are raised walkways. By 1418 only the dome was left to build. But this was a bit of a problem. The original architect and several others including the last one had died leaving some plans that no one knew how to complete and a church with a massive hole in the ceiling. The dome was famously finished by Filippo Brunelleschi in 1436. The multicolored marble exterior was started with the original architect, but remained unfinished for centuries. The facade we see today was finally completed in 1887. There was a facade in the 15th and 16th centuries that was never completed. This has been reimagined in the Duomo museum. You can find the original facade statues there.

Wobbly mosaic floors of old church
Perseus with the head of Medusa (1554) at the Loggia del Lanzi
The Piazza del Signorina is one of the main squares in Florence. There is a large statue of Neptune, a replica of Michelangelo's David in front of Palazzo Vecchio, and the
Loggia del Lanzi. The Loggia is now the backyard of the Uffizi gallery and home to an incredible sculpture collection from the 1st to the 19th centuries.
We sat and sipped at
Gilli. Here you can imagine you are a person of wealth and leisure on the Grand Tour or an artistic intellectual in the Art Nouveau era since the tea and pastry shop has been in Florence since 1733.
I left My Girl in the soft seats to climb the campanile next to the Duomo. It is quite a hike to the top, 414 steps. There are spectacular views of the city, the cathedral and its iconic dome. You can also climb the dome, but if you are standing on it, you can't appreciate it in the same way, but you do get an up close view of the frescoes.
That evening I visited the museum of the Duomo. It is pretty spectacular. There are all sorts of models and architectural drawings of the cathedral and its dome. Various bits of the Duomo complex have been moved inside the museum for safekeeping, including the statuary from the facade and the doors of the baptistry. What we see outside are replicas. The gilt bronze doors by Ghiberti are amazing. There was a competition for the commission and Ghiberti won over Brunelleschi. Brunelleschi never got over it. He later won the commission for the dome which I think makes up for it.
There are so many amazing pieces in the museum, but I think my favorite is Michelangelo's
Pieta, one of three he worked on in his life. This is the second and an unfinished work from late in his life. Unusually, this was not a commission, but a sculpture he may have intended for his own funerary monument. It is believed Michelangelo used his own face for that of the older man holding Jesus. Michelangelo's Pieta in the Vatican is more famous, but there is something about this one that I really like.
One of the must see stops in Florence is the
Accademia, the home of Michelangelo's original
David. Florentines saw themselves in the story of the young David overcoming the much stronger Goliath with cleverness, not brute strength. David and this sculpture became symbols of liberty and freedom.
Michelangelo's
David is quite literally the poster boy of Renaissance sculpture. This depiction of David was unique for the time, since most prior works showed David in victory often with the head of Goliath. Here David is thinking about what he is ahead of him. He is relaxed, but not, all at the same time. The block used to make the masterpiece was rejected by two other sculptures because of its imperfections. Because of its size it was too expensive to waste. This piece was initially intended to be part of a series of figures for the cathedral facade, but never made it there. The ruling body decided it was too perfect and needed to be in a place where it could be better appreciated. Instead it lived in front of Palazzo Vecchio until it was replaced by a replica in 1873 and brought inside for safe keeping. While it is considered Renaissance perfection by some, the proportions are a bit off, most likely intentionally so, with the head and hand being a bit too large for the body. Perhaps this was because it was designed to be viewed from below at a distance or it may have had a more symbolic meaning. Da Vinci never said and we will never know for sure.
David
The hall leading up to David is called the Hall of the Prisoners for the
unfinished works by Michelangelo. They were meant to be part of a grand papal tomb in St Peter's in Rome, but the project was never finished. Instead, a much scaled down tomb featuring
Moses was created for Julius II in San Pietro in Vincoli. Michelangelo is believed to have said that he worked to liberate the forms that were in the marble. You certainly get that feeling in these unfinished works. At his death they were donated to the Medici family and displayed in the Boboli gardens until 1909. In many ways I like these unfinished pieces more that the polished perfection of the finished ones.
The bearded slave, the most finished of the four
One of the halls,
the Gipsoteca, was quite unusual. This former hospital ward and art academy teaching studio houses a large collection of 19th century plaster models from the the sculptor, Lorenzo
Bartolini. Bartolini was a noted sculptor during his life, and also a teacher at the Accademia delle Belle Arte. He was sought after by the rich and famous across Europe for his expressive bust portraits. Marble portrait busts in draping Roman robes, so neoclassical! The models are displayed much like they were in Bartolini's workshop. Most of the figures have nails regularly placed in the plaster as reference points for the sculptor working on the finished marble piece. It gives them a slightly diseased look but is an interesting insight to the artist's process.
from the Gipsoteca
Workshop of Lorenzo Bartolini 1856-7
Steak was on our official must eat list while in Florence. Roman food feels very light on meat. While we didn't get an official
traditional Bistecca Fliorentina, we did have a delicious lunch.
Florentine steak
Ponte Vecchio over the Arno river
It was a quick trip, but really fun to see a city new to us. I'll definitely be back.
If you want to read more about Renaissance Florence I suggest
Brunelleschi's Dome and
the Bookseller of Florence, both by Ross King.